DEPARTMENT OF MASS COMMUNICATION
BENUE STATE UNIVERSITY
COURSE OUTLINE FOR COM 405:ADVANCED RADIO PRODUCTION
COURSE LECTURERS: DR. OGBU, BENJAMIN EJUWA & PATIENCE
ACHAKPA-IKYO
COURSE DESCRIPTION
This course is design to teach the
mechanism involved in radio programme production. The goal is to afford
students the opportunity to demonstrate the radio production skills they learnt
in previous classes. The emphasis is on practical projects which are expected
to be of professional standards.
The course will concentrate on
expanding programme writing experience, strengthening and refining broadcast
communication skills, raising the level of professional performance and
generally engendering greater confidence in communication. In this wise, the
instructors supervision will be minimal to allow students work independently,
simulating the professional situations they will find themselves when they
graduate.
OUTLINE
(a)
General principles and theories: (a) Philosophy of broadcasting (b) The
Broadcast Communication Chain (BCC) (c)
Broadcasting and Development
1.
Basic elements of radio production: (a) Human Voice (b) Music (c) SFX (d) The
console (e) Tape recording and playback units
(f)Microphone
2.
Modern Radio Studio
3.
The Radio Producer
4.
Legal and Ethical production concerns
5.
Radio Programme Production (Practical)
6.
Radio Script Writing
7.
Remote or Outside Broadcasting (OB)
8.
Recorded versus Live On-air Production
9.
Preparing a Running Order and Programme Schedule
10.
Radio and the Web
(a)
Computer application in Radio Production: (a) Computer Basics (b) Computer
Generated Effects (c) Computer Assisted Editing (d) Computer Application in
On-Air Production (e) Computer in Programming Functions.
11.
Conference Play Back of Group Practical Projects
12.
General Review.
*Assessment: Production project =
20 marks
Take
Home Tests = 10 marks
Class
Attendance = 10 marks
End
of semester Examination = 60 marks
Recommended Texts
·
David M. H and Robert E. R (1997) Modern Recording Techniques (fifth edition).
New York: Focal Press
·
Ugande G. B. (2006) Braodcast Programme Writing and Production.
Makurdi: AsaGod
·
Carl H., Philip B. and Lewis B. O.
(2000) Modern Radio Production:
Production, Programming, and Performance (fifth edition). United States:
Wadsworth/Thomson Learning.
·
Idebi, S. K. (2008) Fundamentals of Radio Production. Ibadan:
Impact Motion Pictures & Media Koncept
Note: Students
are encouraged to read widely and consult other books as well as on-line
resources beyond the scope of the above recommended texts.
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